More people succumb to the same sickness as M. The rats were headlines in the press. Raymond Rambert is a journalist who is visiting Oran to research a story on living conditions in the Arab quarter of the town.
Once he set the novel in the hot region of North Africa and had captured our belief in its existence, he began recreating Oran and its people in Western terms. His try at imagining the annihilation of five movie houses of people is an attempt to arrive at something concrete and meaningful.
He is sure that he is a good neighbor, but is he? He feels uneasy but does not realise the gravity of the situation. Othon is a magistrate in Oran. He braces himself, and resolves to do what must be done to fight the plague. Talking about Cottard, Grand says that the only previous instance of any odd behavior is that the fellow always seemed to want to start a conversation.
For him, human existence gains meaning only when people choose freely to participate in the losing, but noble struggle against death and suffering. His stand concerning the seriousness of the plague is important because he is the self-deceiver, one of the safest — and most despicable — of roles.
But this is just another example of the Absurd, as the weather is just as unordered and unconcerned with humanity as disease is. To combat either a plague or a hungry aggressor, piles of study reports often amount to the same kind of ashcan effectiveness. When a cat approaches, the old man spits at it, and if he hits his target he looks delighted.
As yet, Grand has to show us any real sympathy. He is one of the first people in Oran to urge that stringent sanitation measures be taken to fight the rising epidemic. To both men, their leisure time is of prime importance. Table of Contents Characters Dr.
Rieux, but Tarrou is far more philosophical. This is, in a sense, what Camus is doing in the opening scenes of The Plague. The sinister epidemic of dying rats would seem like an obvious warning, but the townspeople show the human desire to ignore the Absurd — the plague, or the cruel meaninglessness of life — and maintain their habits and peace of mind.
Action is the only answer. Everyone who chooses to fight the plague, to rebel against death, knows that their efforts increase their chances of contracting the plague, but they also realize they could contract the plague if they did nothing at all.
They also indicate his continuing insistence that his book carry his metaphysical ideas of the absurd. However, the idea of capital punishment disgusted him. The policy of look-see the same as that of Dr. Tarrou first appears here as a curious observer of plague, a role he will continue to play.
They finally kidnapped Nationalist leader Chiang Kai-shek and demanded immediate military action against the enemy. In this sense, man is sacred, but absurdly sacred; he may die in any moment, just as love may disappear within a moment.
Late inhe cautions himself not to include the word in the title. The basic government response consists of exterminating the rats and sending anyone with a fever to a special isolation ward of the hospital.
He introduces Rambert to Raoul. There are individuals who, because of different or strange behavior, might be outcasts of society, but find, in spite of or because of their unconventional behavior, that there are some people who want to be a part of their lives.
And with honest consideration even the superhuman becomes suspectedly human. The plague is foreshadowed by the sinister omen of the dead rats.The Plague by Albert Camus. Home / Literature / The Plague / Analysis ; The Plague Analysis Literary Devices in The Plague.
Symbolism, Imagery, Allegory. The rats don’t simply symbolize the plague.
They are symbols of people. They die in the streets, on playgrounds, in businesses and then people follow suit. Parallelism in Albert Camus’ The Plague ; The Epic of Gilgamesh: Summary & Analysis ; Masuji Ibuse’s Black Rain: Summary & Analysis Summary & Analysis ; Tags: Albert Camus Analysis Marie Cardona Meursault Raymond Sintes Salamano Summary The Stranger.
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Share with Facebook Share with Twitter Share with Google+. Parallelism in Albert Camus’ The Here are some following facts about the story’s plot that involve parallelism through the novel.
The. The Plague (French: La Peste) is a novel by Albert Camus, published inthat tells the story of a plague sweeping the French Algerian city of Oran. It asks a number of questions relating to the nature of destiny and the human condition.
To attempt a thorough analysis would be to suggest that the work was not art but contrived artifice. Albert Camus wrote The Plague in the literary form of. allegory. black comedy. epigram.
Start Quiz. Albert Camus Biography. Camus seems, then, to be creating a society of habit-oriented people in order to confront them with death in its most horrible form — the plague. Then, from this confrontation, new values regarding living will emerge.Download